The Arc of Winter (2002)
Duration: 10’
solo cl (or optional solo vla) + str orch
Commissioned by the University of South Carolina

Arcade (1992)
Duration: 8’
2+picc, 2+eng. horn, 2+Ebcl (2nd also bcl), 2 / 4,3,2+bass trb,0 / timp+2 perc / pno (also plays cel) / str
Commissioned by the New York Youth Symphony (FIRST MUSIC commission)

The Rivers (2006)
Duration: 16’ (3 movements)
Concerto for alto saxophone and wind ensemble
solo alto sax + 1 picc,2,2,4+bass cl,2(2nd doub on cbsn) / 2 alto sax, 1 ten, 1 bari / 4,3,2+bass trb,1 / 5 perc / pno / db
Consortium commission by the University of South Carolina, Bowling Green State University, Drake University, Eastman School of Music, Furman University, Penn State University, and the University of Tennessee

Still (1998)
Duration: 10’
2 (2nd also picc), 1+eng.horn, 2, 2 / 2,2,0,0 / 1 perc / cel / hrp / str
Commissioned by the Tulsa Philharmonic

Symphony of Cities
Duration: 24’ (3 movements)
2,2,2,2 / 2,1,1,0 / 1 perc / cel / hrp / str
Winner, 1996 Heckscher Foundation International Composition Prize

Trace Elements (1998)
Duration: 15’ (3 movements)
Flute Concerto: solo flute + 0,2,2,2 / 2,2,0,0 / 2 perc / str
Commissioned by the Albany Symphony Orchestra

Verge (1997)
Duration: 9’
2 (2nd also picc), 2, 2, 2 / 4,3,2,1 / timp + 3 perc / hrp / str
Commissioned by the Albany Symphony Orchestra
Recorded by the Albany Symphony on Albany Records (Troy 354)

Ad Pacem (2007)
Duration: 5’
eight cellos, or eight-part cello choir
Commissioned by the University of South Carolina Cello Choir and the American String Teachers Association

The Arc of Winter (2002)
Duration: 10’
solo cl (or optional solo vla) + solo strings: 4,2,2,1
Commissioned by the University of South Carolina

Orders of Motion (1994)
Duration: 12’
1,1,1,1 / 1,1,1,0 / 1 perc / pno / 2,1,1,1

Ringings (1991)
Duration: 10’
1,1,1,1 / 1 hrn / 2 perc / pno / hrp

Saints & Angels (1996)
Duration: 5’
1,1,1,1 / alt sax, ten sax / 1,1,1,0 / 1 perc / 2 sopranos / elec organ / 2,1,1,1
Commissioned by the Dogs of Desire (Albany Symphony’s chamber orchestra)

Ad Lucem (2007)
Duration: 11’
two pianos (four hands)
Commissioned by the Lomazov / Rackers Duo

Bone Dance (1993)
Duration: 13’
fl (also picc), cl (also bcl), vcl

Looming Silver (2001)
Duration: 10’
vcl, pno, 1 perc
Commissioned by Furious Band

Memoria Domi (2004)
Duration: 23' (4 movements)
cl, vl, vcl, pno
For Ensemble X

Once Removed (2003)
Duration: 9’
2 marimbas (plus CD player and headphones for playback of click tracks)
Consortium commission by multiple percussionists; dedicated to Scott Herring

Piano Trio (1995)
Duration: 20’ (5 movements)
vl, vcl, pno

Prodigal Child (2004)
Duration: 10’
saxophone quartet (sop, alt, ten, bar)
Consortium commission by the Capitol Saxophone Quartet, New Century Saxophone Quartet, and the San Francisco Saxophone Quartet

Release (2006)
Duration: 8’
alto sax, marimba
Commissioned by the Music Teachers National Association (South Carolina chapter)

A Savage Calculus (2002)
Duration: 9’
alto sax, pno
Commissioned by the Ambassador Duo
Recorded on Equilibrum Records (EQ 77)

Sonata Lunaris (2005)
Duration: 15' (3 movements)
vl, pno
For Opus Two (The Cooperstock / Terwilliger Duo)

Transit (2001)
Duration: 44’
solo elec gtr, 1 keyboard, computer playback; (or optional solo elec gtr and computer playback)
Commissioned by the American Composers Forum for the Minnesota Guitar Society
Recorded by Michael Nicolella on Gale Recordings (Gale  02-003)

Bend Sinister (1986; rev. 1988)
Duration: 6’
solo fl

Crosstalk (2005)
Duration: 3'
solo pno
Commissioned by the Southeastern Piano Festival

Push (1997)
Duration: 6’
solo elec gtr
Commissioned by Michael Nicolella
Recorded by Michael Nicolella on Gale Recordings (Gale 00-002)

Push (2004)
Duration: 6'
arranged for solo vcl (with or without amplification or distortion)

Variations (2003)
Duration: 16’
solo pno
Commissioned by pianist Marina Lomazov
Premiered at the Brevard Music Festival

Last Words (1990)
Text: James Merrill
Duration: 6’
sop, ob, gtr

The Progresse of the Soule (1995)
Text: John Donne
Duration: 6’
Mixed double chorus (SATB) / 2 trp / 2 tmb
Commissioned by the Dale Warland Singers

Qui Habitat (2006)
Text: Psalm 91 (Psalmus 90 - Latin Vulgate)
Duration: 4’30"
SATB
Commissioned by Jared Johnson and the Trinity Cathedral Choir, Columbia, South Carolina

Songs of Time and Tide (2008)
Text: Rabindranath Tagore
Duration: 19’
sop, pno (five songs)
For Tina Stallard and Lynn Kompass

Summum Bonum (1997)
Text: Robert Burton
Duration: 8’
Male vocal sextet: ctr ten / 2 ten / 2 bar / bass
Commissioned by Music At The Anthology and the Mary Flagler Cary Trust for the ensemble

Time Spans (1994)
Text: A.R. Ammons
Duration: 3’
baritone, fl, cl, hrn, bsn

The Evidence (1992)
Duration: 7’
narrator (male actor), CD playback
(theatrical work; text from 1950’s “red scare” U.S. House of Representatives transcripts)

Transit (2001)
Duration: 44’
solo elec gtr, 1 keyboard, computer playback; (or optional solo elec gtr and computer playback)
Commissioned by the American Composers Forum for Minnesota Guitar Society
Recorded by Michael Nicolella on Gale Recordings (Gale  02-003)

Bit My Pretty Red Heart In Two (2002)
Incidental music for short film; written and directed by David LaRue

Leaving Bristol (1999)
Piano Trio used as Incidental music for documentary film by Laura Kissel